But instead of giving up, Mama does everything she can for it and has confidence that one day it will flourish. To improve her family’s life, Mama forsakes dreams of her own and lives vicariously through her family. After receiving the Insurance check, she builds a strong desire to move her family to a home so that they would have a better life. The money aids in furthering Mama’s desire to help her children rise from poverty, knowing that it is now conceivable to do so.
These dreams result in conflict between the family and pose a question of whether Walter Lee and Beneatha’s intent for the use of the money is more important than the unity of the family. Walter’s life shows what can happen when personal struggles get in the way of bigger dreams to know some level of success. He does experience prejudice and oppression from the majority class, but his struggles are more internal.
A Study Of The Personality Of Walter Lee In Lorraine Hansberrys “a Raisin In The Sun”
Eventually, Mama puts some of the money down on a new house, choosing an all-white neighborhood over a Black one for the practical reason that it is much cheaper. Later she relents and gives the remaining $6,500 to Walter to invest, with the provision that he reserve $3,000 for Beneatha’s education. Walter gives all of the money to Willy, who takes it and flees, depriving Walter and Beneatha of their dreams, though not the Youngers of their new home. Meanwhile, Karl Lindner, a white representative of the neighborhood they plan to move to, makes a generous offer to buy them out. He wishes to avoid neighborhood tensions over an interracial population, which to the three women’s horror Walter bitterly prepares to accept as a solution to their financial setback.
- History will always allow us to not only remember the past and its culture, but to also learn and embellish the past.
- Without the elaborate settings, and the beautiful portraiture that is displayed in A Tree Grows in Brooklyn, A Raisin in the Sun relies more heavily on the importance of the construction of society at the time in which it was set.
- Every character in the book has their own idea of the American dream.
- The governing body of the Youngers’ new neighborhood, the Clybourne Park Improvement Association, sends Mr. Lindner to persuade them not to move into the all-white Clybourne Park neighborhood.
Racism is the hatred by a person of one race pointed at a person of another race. The United States has grown up to improve as a whole but this process is a…… Another one of Beneatha’s suitors, Asagai, is a student from Nigeria who is very proud of his African heritage. In contrast to the others, Asagai looks at money as a way of helping others, not benefitting himself. His ultimate dream is to return to Africa and help bring about change and advancements. Asagai talks about his dream with Beneatha and says, “I will go home, and much of what I say will seem strange to the people of my village… But I will teach and work, and things will happen, slowly and swiftly.
Raisin In The Sun By Lorraine Hansberry: The Struggles Of African Americans In The 1950s
Towards the end of act three, Beneatha tells Mama that Asagai asked her to marry him. Everyone was dumbfounded when they heard her announce the news of her marriage and traveling to Africa, and her response was that she wanted to practice there to become a doctor. He feels that if he had the success and money that he’s dreaming of then embarrassing moments such as asking Ruth for money would never happen, and his assertion of dominance wouldn’t be needed.
Joseph encourages Beneatha to accept her heritage and rise above oppressive white society. It’s is her interactions with Joseph that lead Beneatha to a drastic show of rebellion as she cuts off her hair into a closely cropped, ethnic style. This is Beneatha’s way of embracing her ethnicity and making a statement to society that African Americans shouldn’t have to change their appearance to be accepted. Hansberry reveals her theme that white society oppresses African Americans by pushing them into assimilating into white society rather than encouraging them to embrace their roots. Petrie not only revises Hansberry’s central theme of society responsibility for oppression by deleting the reveal of haircut scene but also the influence of Asagai. Deleting this scene removes both her assimilation into white society and her defiance of those constraints.
He also states that it’s hard to find a man on this whole southside who understands him. This illustrated that he hasn’t found people that believe in him and hasn’t found people that trust him or listen to his big ideas. Filling up your heads ̶ [counting off on his fingers.] ̶ with the sociology and the psychology”. This shows that walter is jealous of not having an education and doesn’t believe in Ruth’s dream of becoming a doctor. He feels frustrated because he knows that Ruth is accomplishing her dream and getting closer while he isn’t getting even and inch closer.
By portraying the Youngers as close to middle class, the audience is able to continue to support the Youngers’ in their quest for a better life without having to admit there is inequality based solely on the color of the Younger’s skin. This directorial decision in regards to the setting of the living room somewhat reinforces the concept of oppression but revises the role society has in being part of the solution. The change from classical to post-classical was a result of the progression in sophistication of both “creator and consumer” of the film, and the technologies used to create it. According to Casper with Edwards in Introduction to Film Reader, there were various types of experimentation that occurred within this period such as using “genre as a vehicle”, “nostalgia”, “topical accommodation”, amongst others . In Reality Television, Melodrama, and the Great Recession, Susan Schuyler states that “melodrama fluidly adapt to changing public tastes, borrowing tropes and techniques from diverse dramatic genres” .